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Miroslav Vitous

"So our ears got used to listening to jazz in the place that it was that the bass player could not play. No one really realized it and really addressed it until the bass players who could play their instrument came along and started doing something with it."

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"So our ears got used to listening to jazz in the place that it was that the bass player could not play. No one really realized it and really addressed it until the bass players who could play their instrument came along and started doing something with it."

Explore more quotes by Miroslav Vitous

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Miroslav Vitous
"The main thing that those two albums have in common aside from my music, which of course, a sense of it, you can recognize, it is that the bass on Infinite Search was playing much, much less like a bass."
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Miroslav Vitous
"The money in the schools overpowers the principles of the purpose."
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Miroslav Vitous
"I am touring in Europe. I am putting together a trio and a quartet. I am playing solo concerts with my symphonic sounds. I am very much engaged back to playing and recording and everything."
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Miroslav Vitous
"That was really so upsetting when you are trying to pass on some very serious knowledge and be basically, treated worse than a student coming off the street because his father pays the tuition. Come on. Give me a break. This is no school. This is a joke."
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Miroslav Vitous
"I did extensive, extensive recordings and made a classical CD-ROM set, which is still on the market. For ten years, it was by itself as the cream of the crop of samples."
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Miroslav Vitous
"I continued studying by myself in the field of jazz with my own technique of improvisation, walking bass lines, rhythms, all kinds of stuff, which I created for myself."
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Miroslav Vitous
"So I am one of those bass players who can do something and musically, it was back then and now it is even more, if you noticed on the new album, I am not playing all the time anymore."
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Miroslav Vitous
"So the whole basis for jazz music is based on the fact that the bass player could not play his instrument."
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Miroslav Vitous
"I had a vision how it should sound and I put all my knowledge into this product and it is a fantastic product. People still tell me that I have the best musical thing there."
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Miroslav Vitous
"There is no roles. No one is keeping any roles. The drummer is also answering everybody and everything. So it is a constant conversation and communication between musicians on an extremely high level with extremely valuable material, motifs, and melodies."

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Aberjhani

"It seems that jazz is more cerebral and more mathematical in a sense."

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Aberjhani

"Jazz was more of a tool for me to use to enhance my musicality."

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Aberjhani

"That's the exact concept behind the music: to take that kind of, I guess whatever you want to call it, jazz sensibility - but not have it be about solos."

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Aberjhani

"If you play jazz, then you play with your fingers. If you're playing rock, you use a pick. There's really no rhyme or reason to that other than that's just the way it has been."

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Aberjhani

"I think you have to have a jazz pedigree to be on jazz radio."

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Aberjhani

"I've been invited to do a trio with a fantastic jazz guitarist and a harmonica player."

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Aberjhani

"You need better technique than I have to play jazz, but what you have to do is the same thing, isn't it?"

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Aberjhani

"I think Wes Montgomery is the greatest jazz guitarist that ever lived."

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Aberjhani

"I can turn on some jazz guitarist, and he won't do a thing for me, if he's not playing electrically. But Jeff Beck's great to listen to."

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Aberjhani

"I think jazz is a wonderful learning tool."

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