Andrzej Wajda, a renowned Polish director, created a legacy of impactful films that explored the complex history and struggles of Poland. His films, including Man of Marble and Katyn, addressed political, social, and personal themes with deep sensitivity and insight. Wajda's work has inspired filmmakers and audiences worldwide to use cinema as a tool for social change, highlighting the importance of storytelling in understanding and confronting historical injustices. His ability to provoke thought through art remains an inspiration.

"When a film is created, it is created in a language, which is not only about words, but also the way that very language encodes our perception of the world, our understanding of it."



"One might have thought that the most significant change in the film industry that would come about with a transition from the communist economy to capitalism would fundamentally concern the sources of funding."



"The difficulty of writing a good theatre play set in new reality was even greater given that the level of similitude to life that is allowed in a film would not work on the stage."



"In Europe, there is no television filmmaking legislation that could assist film production because private broadcasters are not interested in supporting Polish film."



"The difficulty with the present state of affairs is that there is no legislation on the sources of funding for the Polish film industry. There is no legislation concerning filmmaking. And, there is no legislation on television that would be beneficial to filmmaking."



"On the one hand, young theatre directors were coming to television theatre, because they wanted to get closer to the cinema, despite having studied and worked for the theatre."



"Language also encodes our past. We want to know who we are. To know who we are, we have to know who we used to be. Consequently, our literature, written in the past, anchors us in that past."



"Why does there exist a global American entertainment industry, but there isn't an equivalent coming from France or Italy? This is the case simply because the English language opens the whole world to the American cinema."



"There is no filmmaking legislation because distributors are not interested in sharing their money with the film industry - for instance, by giving a percentage of ticket sales back to filmmakers."



"Television theatre, as is implied in its name, should rely on adaptations of scripts written for the theatre."



"In the same period, Polish literature also underwent some significant changes. From social-political literature, which had a great tradition and strong motivation to be that way, Polish literature changed its focus to a psychological rather than a social one."



"In the first years after the systemic transition, our screens showed American entertainment that had not been available before, or had been available only sporadically."



"Suddenly, the screens were dominated by American entertainment to the extent of something like 95 percent. As a result, audiences turned away from the kinds of films that we used to make."



"A novelty in Polish filmmaking was that it was possible to find funds for a big production. However, at the same time, the state budget committed less and less money to filmmaking."



"In the first years after 1989, films were partly financed from the state's budget as well as by public television. Still, except for a few special cases, most films are made this way."

