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Ang Lee is a groundbreaking Chinese film director whose work has captivated global audiences and earned him multiple Academy Awards. With films like Crouching Tiger, Hidden Dragon and Brokeback Mountain, Lee has demonstrated an extraordinary ability to blend cultural narratives and emotional depth. His films explore complex themes of identity, love, and sacrifice, leaving an indelible impact on both the film industry and its audiences. Ang Lee's journey reminds us that artistic courage and cultural openness can break barriers and touch the hearts of millions.
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"Directing, I get all kinds of inspiration. It's working with people. It's a lot more fun."

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"On a Chinese film you just give orders, no one questions you. Here, you have to convince people, you have to tell them why you want to do it a certain way, and they argue with you. Democracy."

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"The way I go about a lovemaking scene is that we will talk about it during the rehearsing time."

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"I think the book struck me in a few ways that I thought very interesting to pick it as my first martial arts film. It has a very strong female character and it was very abundant in classic Chinese textures."

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"I took the name Green Destiny from - well there is such a sword called Green Destiny. It is green because you keep twisting it, it's an ancient skill, you keep twisting it and knocking it and twisting it until it is very elastic and light."

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"I think the American West really attracts me because it's romantic. The desert, the empty space, the drama."

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"Now I'm kind of established as a director, I much prefer directing to writing."

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"In the past I've made movies that were pretty universally liked. You can't really hate them. You can discard them, but you can't really hate them."

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"When I sent those scripts, that was the lowest point of my life. We'd just had our second son, and when I went to collect them from hospital, I went to the bank to try and get some money to buy some diapers, the screen showed I've got $26 left."

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"To me, Ennis stands for the conservative side of America. He's the biggest homophobe in the whole movie - culturally and psychologically - but by the time he admits his feelings, it's too late."

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"Not taboo - it's just that straight actors still risk their careers commercially and economically. They have to please the crowd - they're movie stars; their image is their industry. It goes beyond acting."

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"The most mysterious feminine factor, the existence that we men, we don't know. It's woman. It's feminine. That's what the sword is about. That's the symbolic meaning of the sword."

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"When there is a strong woman character in a story - that always grabs me."

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"My first instinct was to cast as close to the short story as possible, but then I realized that I needed actors who could go for it and that they had to function well as a couple in a love story."

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"I wanted to shoot straight, mainstream, somehow off-beat. Not only realistic West, which is quite unfamiliar to the world's population - even to a lot of Americans."

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"Meanwhile, the Ice Storm was still in development, And that was something I really wanted to do, and frankly I don't think I was ready to do a big production like this."

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"I did a women's movie, and I'm not a woman. I did a gay movie, and I'm not gay. I learned as I went along."

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"Usually with this genre the first thing that happens is a good fight sequence to show that you're in good hands. So we broke that rule. I think a lot of that comes from the western audience."

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"Sexuality is a big issue, but there are others - how much you commit to a relationship, to social obligation, to honesty and being honest with yourself."

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"I think people are universal."

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"When I have a full schedule like that, I don't see myself sitting there for a couple of months, doing the research, going through a painful process, it's just not my thing anymore."

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