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Anish Kapoor, an Indian artist renowned for his large-scale sculptures and installations, has captivated audiences worldwide with his bold, innovative approach to art. His work, which blends abstraction with elements of human perception, challenges how we view the physical world and our place in it. Kapoor's art, including the iconic "Cloud Gate" in Chicago, engages viewers on a deep, emotional level, inviting them to reflect on space, form, and the viewer's experience. His groundbreaking contributions to contemporary art encourage others to explore new horizons in creativity and challenge traditional artistic boundaries.
"The eye is a very quick instrument, much quicker than the ear. The eye gets it immediately."
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"The eye is a very quick instrument, much quicker than the ear. The eye gets it immediately."

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"The work itself has a complete circle of meaning and counterpoint. And without your involvement as a viewer, there is no story."
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"The work itself has a complete circle of meaning and counterpoint. And without your involvement as a viewer, there is no story."

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"Artists don't make objects. Artists make mythologies."
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"Artists don't make objects. Artists make mythologies."

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"My work is not about my life history. It's not about the story of my neurosis."
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"My work is not about my life history. It's not about the story of my neurosis."

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"One can hardly be Indian and not know that almost every accent, which hand you eat your food with, has some deeper symbolic truth, reality."
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"One can hardly be Indian and not know that almost every accent, which hand you eat your food with, has some deeper symbolic truth, reality."

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"One of the great currents in the contemporary experience of art is that it seems to come out of the experience of the author."
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"One of the great currents in the contemporary experience of art is that it seems to come out of the experience of the author."

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"Re-investing in one's own little moments of insight is very important."
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"Re-investing in one's own little moments of insight is very important."

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"Being an artist is a very long game. It is not a 10-year game. I hope I'll be around making art when I'm 80."
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"Being an artist is a very long game. It is not a 10-year game. I hope I'll be around making art when I'm 80."

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"I think I understand something about space. I think the job of a sculptor is spatial as much as it is to do with form."
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"I think I understand something about space. I think the job of a sculptor is spatial as much as it is to do with form."

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"That freedom that Picasso afforded himself, to be an artist in a huge number of ways, seems to be a huge psychological liberation."
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"That freedom that Picasso afforded himself, to be an artist in a huge number of ways, seems to be a huge psychological liberation."

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"Work grows out of other work, and there are very few eureka moments."
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"Work grows out of other work, and there are very few eureka moments."

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"I am Indian, and I'm proud of it. Indian life is mythologically rich and powerful."
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"I am Indian, and I'm proud of it. Indian life is mythologically rich and powerful."

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"We live in a fractured world. I've always seen it as my role as an artist to attempt to make wholeness."
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"We live in a fractured world. I've always seen it as my role as an artist to attempt to make wholeness."

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"Content arises out of certain considerations about form, material, context-and that when that subject matter is sufficiently far away."
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"Content arises out of certain considerations about form, material, context-and that when that subject matter is sufficiently far away."

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"What one does in the studio is to pose a series of problems to oneself. I've got to look for some deeper meaning, for some reason for this thing to be in the world. There's enough stuff in the world."
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"What one does in the studio is to pose a series of problems to oneself. I've got to look for some deeper meaning, for some reason for this thing to be in the world. There's enough stuff in the world."

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"I've always felt that if one was going to take seriously this vocation as an artist, you have to get beyond that decorative facade."
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"I've always felt that if one was going to take seriously this vocation as an artist, you have to get beyond that decorative facade."

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"One cannot set out to make a work that's spiritual. What is a contemporary iconography for the spiritual? Is it some fuzzy space?"
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"One cannot set out to make a work that's spiritual. What is a contemporary iconography for the spiritual? Is it some fuzzy space?"

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"The idea is that the object has a language unto itself."
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"The idea is that the object has a language unto itself."

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"I've nothing to say."
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"I've nothing to say."

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"I used to empty the studio out and throw stuff away. I now don't. There will be a whole series of dead ends that a year or two down the line I'll come back to."
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"I used to empty the studio out and throw stuff away. I now don't. There will be a whole series of dead ends that a year or two down the line I'll come back to."

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"It's the role of the artist to pursue content."
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"It's the role of the artist to pursue content."

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"I feel the symbolic world is the nub of a problem for an artist."
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"I feel the symbolic world is the nub of a problem for an artist."

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"It's precisely in those moments when I don't know what to do, boredom drives one to try a host of possibilities to either get somewhere or not get anywhere."
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"It's precisely in those moments when I don't know what to do, boredom drives one to try a host of possibilities to either get somewhere or not get anywhere."

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"Sculpture occupies the same space as your body."
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"Sculpture occupies the same space as your body."

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"Maybe the way we have learned to look has changed in the last 25 years, and the exotic is much more acceptable. There are many artists now, younger artists, who work out of the exotic."
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"Maybe the way we have learned to look has changed in the last 25 years, and the exotic is much more acceptable. There are many artists now, younger artists, who work out of the exotic."

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"One does not set out with the idea that I've just had a great idea and now I'm going to go and carry it out. Almost all art that's made like that doesn't go anywhere."
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"One does not set out with the idea that I've just had a great idea and now I'm going to go and carry it out. Almost all art that's made like that doesn't go anywhere."

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"One must not believe any of those mythologies about oneself as an artist."
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"One must not believe any of those mythologies about oneself as an artist."

Art,
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"All ideas grow out of other ideas."
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"All ideas grow out of other ideas."

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"You know that day after day of, Oh God what am I going to do with myself feeling? The fear of the emptiness that it implies keeps me going."
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"You know that day after day of, Oh God what am I going to do with myself feeling? The fear of the emptiness that it implies keeps me going."

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"I'm not an artist who has an agenda that's set by the work."
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"I'm not an artist who has an agenda that's set by the work."

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"I, in the end, make art for myself."
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"I, in the end, make art for myself."

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"One doesn't make art for other people, even though I am very concerned with the viewer."
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"One doesn't make art for other people, even though I am very concerned with the viewer."

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"One does afford oneself the luxury to come into the studio and all day, every day, spend one's life making aesthetic propositions. What an immense luxury."
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"One does afford oneself the luxury to come into the studio and all day, every day, spend one's life making aesthetic propositions. What an immense luxury."

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"There's something imminent in the work, but the circle is only completed by the viewer."
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"There's something imminent in the work, but the circle is only completed by the viewer."

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"My first show sold within the first 3 minutes, and I came back to the studio and spent the next two and a half years making almost nothing."
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"My first show sold within the first 3 minutes, and I came back to the studio and spent the next two and a half years making almost nothing."

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"Much of what I make is geometric, and has a kind of almost mathematical logic to the form."
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"Much of what I make is geometric, and has a kind of almost mathematical logic to the form."

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"A work will only have deep resonance if the kind of darkness I can generate is something that is resident in me already."
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"A work will only have deep resonance if the kind of darkness I can generate is something that is resident in me already."

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