Bruce Beresford is an Australian director known for his versatility and impactful storytelling across genres. From the Oscar-winning Driving Miss Daisy to his work in both film and television, Beresford has demonstrated a remarkable ability to create powerful, emotionally resonant narratives. His work, often centered on themes of human connection and social change, continues to inspire filmmakers to explore complex issues with nuance and sensitivity. Beresford's dedication to the craft encourages storytellers to pursue their vision, regardless of genre, with authenticity and creativity.

"With a film, I do my best to understand the author's intentions and try to bring the characters to life."



"With Cold Sassy Tree having its first production, I saw no necessity to do anything other than produce it with the correct setting."



"I don't rehearse films as much as opera or theatre. When I began directing films I thought a long rehearsal was a good idea. Experience showed me that the best performance was often left in a rehearsal room."



"Quite a few operas are still being commissioned around the world, although nothing apart from audience popularity can ensure more than a few performances."



"In Australia, they set up a special fund to kick films off. It was quite an enlightened sort of move. You could go to this government bureau with scripts and and get finance for films."



"In silent movies, they tended to put the camera down, and everybody walked in front of it and acted, and then they all walked off. Cutting was quite infrequent."



"On stage, the audience watches from a fixed viewpoint and the director cannot retake something he doesn't like. It has to work straight through."



"Tender Mercies is a very low-budget film, but it was a huge budget compared to anything I had done in Australia. My fee for Tender Mercies was something like five times all of my Australian films combined."

