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George Murray, a Canadian poet and literary critic, explored themes of identity, memory, and language in his evocative verse. His poetry collections, including "Whiteout" and "Glimpse," reveal a keen sensitivity to the nuances of human experience and a mastery of language that resonates with readers on a profound level.
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"The whole competition thing disturbs me. Not that I wasn't a part of it when I first started."

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"With 'Carousel' I had an idea and it all came out quickly."

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"I suppress the vast majority of what I write."

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"I've often entertained paranoid suspicions about my fridge and what it's been doing to my poetry when I'm not looking, but I never even considered that my fan was thinking about me."

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"I guess there is also an element of deliberate change involved. Each of my books has been, at least from my point of view, radically different from the last."

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"It's a bit of a crapshoot out there with young writers right now anyway."

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"I don't think there's anything wrong with someone having to read a poem twice. Or even a book."

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"In fact, in some ways, I actually feel much more confident about the quality of Carousel than I do about The Cottage Builder's Letter: probably because of its cohesive nature."

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"I still write the occasional short story, and poked at a novel once, but it's just not what I want to do."

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"My self-editing process is intense."

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"I was writing notes, but not composing poems. The Hunter began to develop out of this fragmented process."

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"In my opinion, Al Moritz may be the best poet of his generation in Canada."

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"I feel as though I've fooled the world into thinking I'm an adult and now they're letting me procreate."

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"I think, for me, humour needs to be used like a strong spice - sparingly."

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"I'm not interested in being easy anymore. Readable, yes. Easy, no."

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"The poetry community here has been extraordinarily welcoming."

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"I no longer feel pressure to produce fiction."

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"I am certainly suffering from a modicum of performance anxiety."

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"Then I discovered I loved writing poetry more than fiction."

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"I wanted to rock back and forth between myth and distant futures, yesterday, today, and tomorrow. It felt a bit like prophecy and a bit like storytelling."

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"I am still interested in the long or serial poem, but have written a few smaller things. I may start sending to journals again in a year or so... that's about it."

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"Even the people who have had success and made money writing these books of fiction seem to feel the need to pretend it's no big deal, or part of a natural progression from poetry to fiction, but often it's really just about the money, the perceived prestige."

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"I think the main influence has been living in New York City. Aside from all the crap around 9/11, I find it very demanding to think amid all the noise and visual pollution."

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"Well, we all start thinking we're going to be Romantic rock stars, but then reality hits and you realize no one reads you but other poets."

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"Humour is a fine line to walk in poetry, as in fiction. I just think it's harder to write. It's harder to keep the respect of the reader too."

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"New York was breaking my concentration and disintegrating my thoughts."

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