Jonathan Lethem, celebrated American writer, is hailed for his genre-defying works that blend elements of science fiction, mystery, and literary fiction. From "Motherless Brooklyn" to "The Fortress of Solitude," Lethem's imaginative storytelling and distinctive voice have earned him critical acclaim and a dedicated readership.

"What's lucky about my career in general is that I stumbled into what every writer most wants. Not repeating myself and doing strange things has become my trademark."



"I'd have been a filmmaker or a cartoonist or something else which extended from the visual arts into the making of narratives if I hadn't been able to shift into fiction."



"When the civil rights battle was won, all the Jews and hippies and artists were middle class white people and all the blacks were still poor. Materially, not much changed."



"I grew up with an artist father, and my parents' friends were also mainly artists or writers, so he connects what I do with his example."



"Fantastic writing in English is kind of disreputable, but fantastic writing in translation is the summit."



"It's now expected of me that I will defy expectation, so I really generally seem to be free to write what I want."



"I got into underground comics fairly early on and kind of wandered away from the superhero stuff, but I was an art student and I was drawing a lot as a kid."



"I never take any notes or draw charts or make elaborate diagrams, but I hold an image of the shape of a book in my head and work from that mental hologram."



"I learned to write fiction the way I learned to read fiction - by skipping the parts that bored me."



"I had always wanted to be a writer who confused genre boundaries and who was read in multiple contexts."



"I've never related to the work geek at all-it sounds much more horrible than nerd. Like a freak biting a chicken's head off in a sideshow."



"My fiction has been influenced by the visual arts, though not in obvious ways, it seems to me. I don't offer tremendous amounts of visual information in my work."



"The book is openly a kind of spiritual autobiography, but the trick is that on any other level it's a kind of insane collage of fragments of memory."



"Comics? Honestly, that's more a matter of nostalgia for me. I think most of that energy has gone to my love of literature and my love of film."

