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Lee Konitz is an American musician born on October 13, 1929. He is a renowned jazz saxophonist known for his unique style and improvisational skills. Konitz gained fame in the 1940s as part of the cool jazz movement and has collaborated with many famous musicians throughout his career. His contributions to jazz music have been influential, and he continues to perform and inspire new generations of musicians with his artistry.
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"I could stop and say, Well that was a D minor, G seven, but I really don't want to know that. I just want to know that there's a combination of notes that makes a sound."

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"I have been able to get a small audience. It's not the huge audience, but it's enough to make it possible to play. I appreciate that."

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"A first love always occupies a special place."

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"It's very demanding to make up your own music."

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"Labels don't mean anything to me. I'm trying to play as passionately as I'm able to. If they want to call that cool, that's fine. Just spell the name right, is the formula."

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"Most jazz players work out their solos, at least to the extent that they have a very specific vocabulary."

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"Sound is the first thing that we tune into."

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"I just completed a tour in Europe. I played every night. This requires traveling some days for six hours in a van or a train or a car. After six weeks of that, I checked into the hotel and just fell apart."

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"I understood that if I wanted to work, the saxophone was the main instrument. The clarinet was what we call a double."

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"It was 100 percent music. There was no ego involved, no attitudes, no black and white, it was pure music."

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"Out of Coltrane's whole history, there are things which I think are great from all the periods."

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"I love Indian music very much, but I haven't studied that specifically."

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"Bernstein grew up in my building in New York. He's a very, very fine player. When he was a kid, he came by to find out what was going on in the world of jazz."

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"I listen to classical music very much. There's a lot of jazz that I don't enjoy listening to."

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"Names and theoretical things don't occur to me. If they do, I'm not doing my real playing mode."

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"You just keep playing. If someone special comes along and organizes it in a new way, then you'll have another approach and everybody will jump on it to try to learn."

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"Many people do think it's naive to improvise in front of paying customers. I'm not saying one way is better than another."

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"A lot of bands were doing remotes from ballrooms around the country."

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"I'd like to feel that whatever I play is a result of whatever I've heard."

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"After playing now for 60 years, it's still very challenging for me to play a simple melody and have it clean and touch the reed at the proper time in the proper way."

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"As long as there are people trying to play music in a sincere way, there will be some jazz."

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