Pedro Almodovar, the visionary Spanish filmmaker and master of cinematic storytelling, pushes the boundaries of gender, sexuality, and identity in his bold and provocative films. From his early works like "Women on the Verge of a Nervous Breakdown" to his Oscar-winning dramas like "All About My Mother" and "Talk to Her," Almodovar's vibrant aesthetic, rich characters, and fearless exploration of taboo subjects have earned him acclaim as one of the most original and influential directors in contemporary cinema.

"The silent film has a lot of meanings. The first part of the film is comic. It represents the burlesque feel of those silent films. But I think that the second part of the film is full of tenderness and emotion."



"I think decor says a lot about someone's social position, their taste, their sensibility, their work - and also about the aesthetic way I have chosen to tell their story."



"In fact, it was the women in our house who were in the saddle. If men are the gods, women are not only the presidents but all the ministers of the government."



"I think that the consciousness of passion makes you act very differently."



"With this silent film, I wanted to hide what was going on in the clinic. I wanted to cover it up in the best cinematic way and in an entertaining manner."



"Yes, women are stronger than us. They face more directly the problems that confront them, and for that reason they are much more spectacular to talk about. I don't know why I am more interested in women, because I don't go to any psychiatrists, and I don't want to know why."



"After the enormous success of All About my Mother, all the awards and everything, I wanted to start a movie in exactly the same place that I used to be before. I wanted to show that all of the success had not changed my perception."

