Peter Straub, the master of horror and suspense, has thrilled readers with his chilling tales of the supernatural and psychological terror. From his collaborations with Stephen King to his solo works like "Ghost Story" and "Shadowland," Straub's atmospheric prose and skillful storytelling evoke a sense of dread and unease that lingers long after the final page, earning him a place among the preeminent authors of contemporary horror fiction.

"My first real breakthrough collided with the last months of Callaghan's Labour government, which had every intention of enjoying my success as much as I did."



"Instead, I was interested in what I guess I could call narrative indeterminacy, in questioning the apparent, taken-for-granted authority of any particular representation of the events in question."



"When, in the third book, we do learn the identity of the Blue Rose murderer, the information comes in a muted, nearly off-hand manner, and the man has died long before."



"There have been times when I reread - or at least leafed through - something because I'd sent a copy to a friend, and what usually happened was that I noticed dozens and dozens of clumsy phrases I wished I could rewrite."



"As soon as I started writing Julia, by which I mean while writing its first sentence, I felt a sudden, reassuring charge of excitement. I knew it was going to work."



"However, I think I managed to reach a new level with Koko, and I will always be grateful for the experience."

