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Sergio Aragones is a Spanish cartoonist born on September 6, 1937. He is best known for his work in MAD Magazine, where he created humorous cartoons and illustrations. Aragones is recognized for his unique style and ability to convey humor through drawings. He has also worked on various comic book series and graphic novels, showcasing his talent in storytelling. Sergio Aragones continues to create art and entertain audiences with his witty cartoons.
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"The Boogeyman is your conscience. The Boogeyman is the result of your own bad behavior. I love this Boogeyman."

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"Once you've established where you are, you go to the character and elaborate on expressions and action."

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"I have 40 years of unpublished material, the ones they don't pick, and the reason I don't redraw them or use them again is that I like to use my brain every day and come up with new jokes."

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"When sadness happens in the middle of work, I separate my personal grief from my train of thought."

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"The Western, when I do one, will be one long, continuous story."

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"At the end of the '60s, I was trying to enter the world of comics."

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"I live in a very small town and now that I've closed down my studio, I'm working at home."

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"My work is so unorthodox that from one panel to the next, the drawings are completely different... totally opposed to the way of working in something like animation, where every drawing has to look like the one before."

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"When you're drawing comics, you get very involved in how the story is going to develop and you spend more time daydreaming on that particular subject."

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"I keep very weird hours. I never know when I'm going to get an idea."

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"The reason I love comics more than anything else is that the longest story will be just a few pages. With a novel, it takes so many pages to get to one thing happening."

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"Eventually I would like to touch all the genres. I would like to do some detective stories, and I want to do a Western. I would want to do humorous Westerns."

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"If the gag is complicated, you spend more time thinking about the way you're drawing it."

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"Suspense is very important. Even though this is humor and they're short stories, that theory of building suspense is still there."

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"I'd love to do a whole series of stories and have them collected into books."

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"I think that true horror is accomplished by slowly getting into your brain. The old way is much more scary."

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"I have always loved horror very much. I used to write stories for DC's House of Mystery. It was one of my first jobs writing for comics, and I loved it."

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"Sometimes, you start with the drawing and then the gag comes to you in the middle of it. That is when you start working on the solution of the gag, which is composition, placing, equilibrium, and character design."

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"The sad events that occur in my life are the sad events that happen to everybody, with losing friends and family, but that is a natural occurrence, as natural as being born."

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"Anyone can write a story based on the kind of horror where you see a guy in car and then there's the bad guy in the back seat. It's infantile to rely on that for telling a story. That's like going to bed and thinking there's a monster under your bed. It's silly."

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