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Tom Hooper, the acclaimed British director, has left an indelible mark on the world of cinema with his bold and visionary filmmaking. From intimate dramas to sweeping historical epics, Hooper's diverse body of work showcases his versatility and artistry. With multiple awards and accolades to his name, he stands as one of the preeminent directors of his generation.
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"I think we all have blocks between us and the best version of ourselves, whether it's shyness, insecurity, anxiety, whether it's a physical block, and the story of a person overcoming that block to their best self. It's truly inspiring because I think all of us are engaged in that every day."

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"The thing that fascinates me is that the way I came to film and television is extinct. Then there were gatekeepers, it was prohibitively expensive to make a film, to be a director you had to be an entrepreneur to raise money."

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"What I learned about stammering was that, when as a young child you lose the confidence of anyone who wants to listen to you, you lose confidence in your voice and the right to speech. And a lot of the therapy was saying, 'You have a right to be heard.'"

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"I decided to be a filmmaker when I was 12. I had utter clarity that this would be my life."

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"When I was growing up my mother would say, 'Your dad may have to learn about being a father because he lost his own and that would have affected him'."

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"After my grandfather's plane took enemy fire, he was denied permission to land at the first available airstrip. In that classic British bureaucratic way, they said he had to go back to your own airbase in the Midlands. They crashed between the coast and the airfield."

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"I think I would say 'The King's Speech' is surprisingly funny, in fact the audiences in London, Toronto, LA, New York commented there's more laughter in this film than in most comedies, while it is also a moving tear-jerker with an uplifting ending."

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"With the coming of radio as a mass medium, suddenly the world changed. It became about, 'can this leader project emotional connection through the way he speaks on the radio?' And the anxiety about whether he could do that, we've inherited."

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"In 'The King's Speech,' patriotism is utterly contained within a historical moment, the third of September, 1939, where the aggressor is clear, the fight is clear, it hasn't become complicated over time."

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"The hardest part of directing is the choosing. Unlike an actor who can do a variety of work, it is a year of your life, you can't afford to get it wrong."

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"Well, I'm half Australian, half English and I live in London. That is the only reason I came upon this story. My Australian mother, Meredith Hooper, was invited in late 2007 by some Australian friends to make up a token Australian audience in a tiny fringe theater play reading of an unproduced, unrehearsed play called 'The King's Speech.'"

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"I feel connected to the Second World War because my father lost his father in that war. So, through my dad and the effect it had on him of losing his father young, I always felt connected to the war. It goes back years, but it still feels to me as if we're completely living in it."

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